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Derrida

Derrida

Book by Christopher Norris
3.6/5 · Goodreads
Jacques Derrida is undoubtedly the single most influential figure in current Anglo-American literary theory. Yet many scholars and students, not to mention general readers, would be hard put to give an account of Derrida's own writings. Google Books
Originally published: 1987
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Derrida Christopher Norris from www.amazon.com
Rating (11) · In stock
This book will be welcomed by readers in search of an introduction to Derrida's work that neither underrates its difficulties nor invests his ideas with a kind ...
Apr 26, 1988 · In this admirably clear and intelligent introduction, Christopher Norris demonstrates that Derrida's texts should be understood as belonging ...
Derrida Christopher Norris from www.goodreads.com
Rating (97)
Nov 12, 1987 · Christopher Norris ... Jacques Derrida (born 1930) is undoubtedly the single most influential figure in current Anglo-American literary theory.
Jacques Derrida (born 1930) is undoubtedly the single most influential figure in current Anglo-American literary theory. Yet many scholars and students, ...
Oct 28, 2014 · Christopher Norris, ''Derrida'', Cambridge, Massachusetts: Harvard University Press, 1988. You cannot overwrite this file.
Derrida Christopher Norris from www.amazon.com
Rating (11) · In stock
Christopher Norris has long been a stalwart admirer of deconstruction and deconstructionists. With Paul de Man, he has even sought to excuse, rationalize, ...
Derrida Christopher Norris from ca.biblio.com
CA$18.00
Harvard University Press, Cambridge, 1988, Fine Trade Paperback, 271 pages, 5.5" x 8.25". Jacques Derrida (1930 – 2004) was an Algerian-born French philosopher ...
Discusses Derrida's writings on Plato, Kant, Hegel, Rousseau, Nietzsche, and Freud.
In the course of this sentence. Derrida effectively repudiates just about everything that has been carried on in the name of 'deconstruction' by his various.
Derrida [Christopher Norris]. Jacques Derrida (born 1930) is undoubtedly the single most influential figure in current Anglo-American literary theory.