“ La obra abierta", en el arte contemporáneo , se define por su carácter inacabado, por su ambigüedad, por la multiplicidad de interpretaciones que genera. Pero todos estos factores no serían nada sin la presencia activa y creadora del usuario. Una obra abierta apunta siempre hacia otra para acabarla de construir en alguno de sus sentidos desde la libertad “. U. Eco
André Breton, Man Ray, 1938, From the collection of: Museo Frida Kahlo
The Bottle of Anís del Mono, Juan Gris, 1914, From the collection of: Museo Reina Sofia
Madonna, Edvard Munch, 1895 - 1902, From the collection of: Ohara Museum of Art
Elijah and the Chariot from Our Historical Heritage, Salvador Dali, 1975, From the collection of: SCAD Museum of Art
Fish Magic, Paul Klee, Swiss, 1879 - 1940, 1925, From the collection of: Philadelphia Museum of Art
Grapes, Juan Gris, 1916, From the collection of: Museo Reina Sofia
Portrait of a Girl, Alexej Jawlensky, 1909, From the collection of: Kunstpalast
The Scream, Edvard Munch, 1910, From the collection of: The Munch Museum, Oslo
Points, Wassily Kandinsky, 1920, From the collection of: Ohara Museum of Art
Guitar and Newspaper, Juan Gris, 1925, From the collection of: Museo Reina Sofia
Woman's face, Alexej von Jawlensky, circa 1911, From the collection of: Kunstmuseum
Anxiety, Edvard Munch, 1894, From the collection of: The Munch Museum, Oslo
Separation, Edvard Munch, 1896, From the collection of: The Munch Museum, Oslo
Gallic Cock, Raymond Duchamp-Villon, 1916, From the collection of: The Phillips Collection
Portrait of Pablo Picasso, Juan Gris (Spanish, 1887–1927), January-February 1912, From the collection of: The Art Institute of Chicago
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